“The Invasion” Animated Episodes Review

This is the first Doctor Who serial I’ve owned, and I’m quite excited, so forgive me if I review it twice. I haven’t finished watching it yet, but I wanted to discuss the animated episodes: Part 1 & 4.

As is well documented, the BBC wiped the masters to many of their series before they realised their value, and two of the episodes of this series have never been recovered. On a previous release, linking narration was provided, but since the soundtracks survive (thanks to fans who placed tape recorder mics up against their TVs), the episodes have been reanimated by Cosgrove Hall (who produced the BBCi Doctor Who: The Scream of Shalka serial).

The animation, in black and white, is impressive. It has a different “feel” to the live action episodes, and clearly the animation isn’t photorealistic and doesn’t resemble live action, but whilst it’s two dimensional the images have depth, thanks to to almost photographic but blurred backgrounds. The excellent cinematic musical cues enhance the stunning, highly contrasty visuals; it looks really good in a way that much live action Who can’t because of budget constraints.

The animators faced a dual challenge: as well as animating a soundtrack (rather than visa versa) they had to establish characters in the first episode who had to be recognised in the flesh in the second. The former is quite successful: at its best it is entirely possible to get lost in the animation, especially in episode 1 (where the audio quality has survived better than part 4). However it there are some awkward edits, and its often obvious that the performers were not just acting with their voices and you feel the frustration of not being able to view the facial expressions. The transitions from one episode to another are especially interesting, because the ending of one is repeated at the beginning of the next, so you can see both live and animated versions of the same scene. Animated characters are easily recognisable from their live counterparts, making the transition as seamless as could be hoped.

It is a pleasure to have the episodes as voiced by the original cast. It would have been nice to present alternatives, such as viewing the telesnaps with the soundtrack; and I hope one day the origianl episodes will be recovered. At that time, the animated episodes will make a very nice extra. It is a testament to their quality that you might opt to view them anyway; and I can imagine plenty of scenes in other serials where you might wish there was a well animated alternative to a special effects disaster!

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Craig Murray on “The State Within”

When Alex Jennings character James Sinclair, an outspoken former ambassador, walked into the first episode of The State Within I thought “that’s Craig Murray”. So it turned out, did Craig Murray. It’s less obvious in episode two, but Craig Murray has written in today’s Guardian (the link is to the AFP because the Guardian media requires registration) that the BBC are denying any connection. Indeed, he alleges that nervous BBC top brass are claiming it is entirely removed from reality.

I’m glad to find someone else is watching it. Two friends started to watch it and gave up; both were surprised when I said it was as good as State of Play. I’m glad Craig Murray rates it as important television, deserving comparison with Edge of Darkness. There’s more tonight.

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May Contain Traces of a Chris Cornell Recording

I now have in my possession a copy of the Casino Royale soundtrack album (although I haven’t yet listened all the way through).

In small letters on the reverse, in much the same way many products say “suitable for vegetarians”, is the legend “This album does not contain a Chris Cornell recording”.  I am entirely sympathetic with the many music lovers out there who presumably scrutinise each purchase they make to avoid coming into contact with the man’s work.

However, given that the score is interspersed with the theme (co-written by Cornell), perhaps it would be more appropriate to give a warning along the lines “may contain traces of nuts”, as often found on the back of packs of salted, er…peanuts.

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yes, yes, yeS, YES, YES!!!

Thank you, Steve! The long wait is over.

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Bonfire Night (remember, remember, the 4th November…)

Last night, another spectacularly entertaining evening of “mock” sectarian hatred and people dressed up as North American Indians.

Waterloo Procession

These pictures aren’t up to the standard of the picture I posted last year taken by The Pirate King, but they give a flavour…

Waterloo Bonfire

This year the bonfires were on the 4th because they don’t hold the event on the sabbath. Don’t forget, after all, that this is religiously motivated. Lewes’ Jireh Chapel is, I believe, the only church of Ian Paisley’s fanatically protestant Free Presbyterians in England. There’s also an article on ianpaisley.org in which the Rev talks about the Romanist conspiracy and describes the Lewes bonfires as a “vital reminder”.

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“The State Within” Review

Despite all the post-CSI, post-24 flashy gimmicry, and the US setting, it is still clear that what we have on our hands here is that increasingly rare commodity: a quality British drama.

I caught this by chance because it features the excellent Sharon Gless.  Set in the near future, it concerns the outgoing British ambassador caught in the aftermath of a terrorist attack.  The Guardian compared it to State of Play and Edge of Darkness, auspicious company, and though it’s not yet clear that it is of that quality, it must be admitted the opening was simply breathtaking.

Around half way through the show, as we veered off into a death penalty sub-plot it threatened to turn into a Washington embassy based soap (not that this would be uninteresting to me – I know a couple of people who work in the Washington embassy and I’d be interested to know how it compares) but by the end of the opening episode it had become clear that this was just a lull in the narrative drive; this really is a quality political thriller.

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Casino Royale Soundtrack

I find all the different releases of “You Know My Name” make it difficult to work out if I still hate is as much as before but I think I may have warmed to it a bit. It’s got quite a good theme, but I find the jarring, thumping chorus hugely irritating still, and Cornell’s voice too.

The theme is used extensively in the soundtrack to good effect. The soundtrack will be released on 13th Nov, 3 days before the film comes out, but you can already preview tracks on Sony’s website. It’s a bit unfriendly to Firefox (on Linux, at anyrate) but will let Firefox users play the tracks even if you can’t select them or see the titles.

It’s good. There’s less electronic stuff than on David Arnold’s previous scores although it still gets more bombastic than John Barry’s work. I shall go and place my order right now.

Besides the use of the theme in the cues, the soundtrack will not feature the title song at all. The only other Bond soundtrack I know of where this happened was the second “Tomorrow Never Dies” CD, released with extra tracks that hadn’t been recorded when the first CD came out. Sheryl Crow’s song was missing, although k. d. lang’s end titles song survived. In the case of this “Casino Royale” soundtrack, there probably isn’t room for the Cornell song (and it’s no loss); the CD is packed with music (25 tracks, despite there only being 18 listed on Amazon at the moment – Amazon also seem to have stuck the proper cover on the 1967 film’s soundtrack which is odd).

Beware of looking at the track listings, though, as the title of one track is a MASSIVE SPOILER.

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